Typewriter closeup shot, concept of Chapter oneLet’s review:

The first step we took on this journey was to simply ‘begin writing’ – to develop the habit of writing on a regular schedule. In the end, writers write; if you’re not writing regularly you may want to be a writer someday, but you’re not a writer now.

Writing regularly and writing a book are two different things. A book is an idea or collection of ideas, structured around a central theme in logical progression, in long form (let’s say from 30,000 to 300,000 words).

Collecting those ideas and structuring them around a central theme in logical progression is what we’ve been practicing in our last three sessions – the ones that come after ‘begin writing.’ Those next steps are:

Now that we’ve developed a habit of writing, gathered our ideas, plotted our course and created an outline, we can get down to the business of writing a book! This is the good part; it’s also the ‘work’ part. Let’s begin, shall we?

At this stage we’ll begin putting flesh on the bones of the skeleton, the structure, of our outline. Using the outline you’ve created from our last session, simply begin at point (1) in the outline, or your first bullet point under point (1) and begin writing what’s stored up inside you. Nothing happening? Nothing ’stored up’? That’s a common feeling … more like a universal feeling among writers when they face a blank screen. Here’s the cure: just begin writing. Don’t worry, don’t think; just begin writing. Whatever you write now is just between you and the screen; nobody is looking over your shoulder, nobody is judging it. Ernest Hemingway said, “There is nothing to writing. All you do is sit down at a typewriter and bleed.” He also said, “The first draft of anything is sh*t.” If Hemingway admitted it, it’s okay for us to face it. Just pick your first point on the outline and begin writing. This exercise, besides putting flesh on the bones of your book will reveal two valuable results:

  1. It will reveal what you know about your subject – things you didn’t consciously know you knew, but, as I said earlier, have been ‘stored up’ inside you that the writing of them has brought out. This is an amazing phenomenon that happens when writers write – what comes out often surprises the writer more than anyone!
  2. It will reveal what you don’t know about your subject – we’ll get to that in a later session. Right now, your only job is to write – outline point by outline point – everything that comes out. No judging, no re-writing, no ‘researching’ (also known as procrastinating). All that (but the procrastinating) comes at a later stage.

Click here to see how I have begun ‘fleshing out’ the sample outline I created last session. You’ll see that chapters 1 through 5 have some flesh on them and 6 – 18 have just the bullets from the outline. I’ll begin fleshing out those chapters next.

Now it’s your turn. Get started!


Technical note: I’ve been using Scrivener as the writing tool to create the book ‘How to Write a Book in 30 Days.’ I’ve written each of these blog posts inside of Scrivener as well as the PDF Outline and Chapter Sample. The more I learn how to operate within Scrivener the most I like it. It’s easy and it keeps all of my files in one place – my book project. If you’re serious about writing for a living, I strongly suggest you try Scrivener’s free trial.

Scrivener come available for Mac:   Buy Scrivener 2 for Mac OS X (Regular Licence)

and for PC:   Buy Scrivener for Windows (Regular Licence)

Give it a try …

* Note: In our next session we’re going to take a short writing break and talk about writing for your audience (a lot of starving writers hate this part, that’s why they’re starving). Who’s going to buy this book you’re writing and why we need to talk about it now, before we go any further.

Click here for “How to write a book in 30 days” step 6: “Name your reader”

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